Which of the Following Is Not a Reason Why Georgia Okeeffes Art Became Famous?
Georgia O'Keeffe was a 20th-century American painter and pioneer of American modernism best known for her canvases depicting flowers, skyscrapers, animal skulls and southwestern landscapes.
Who Was Georgia O'Keeffe?
Creative person Georgia O'Keeffe studied at the Art Institute of Chicago and the Fine art Students League in New York. Photographer and fine art dealer Alfred Stieglitz gave O'Keeffe her first gallery show in 1916, and the couple married in 1924. Considered the "mother of American modernism," O'Keeffe moved to New Mexico after her husband's death and was inspired past the landscape to create numerous well-known paintings. O'Keeffe died on March 6, 1986, at the age of 98.
Early Life
O'Keeffe was born on November 15, 1887, on a wheat farm in Sun Prairie, Wisconsin. Her parents grew up together as neighbors; her father Francis Calixtus O'Keeffe was Irish, and her mother Ida Totto was of Dutch and Hungarian heritage. Georgia, the 2nd of seven children, was named after her Hungarian maternal granddaddy George Totto.
O'Keeffe's female parent, who had aspired to get a doctor, encouraged her children to become well-educated. As a child, O'Keeffe developed a curiosity almost the natural world and an early on interest in becoming an creative person, which her mother encouraged past arranging lessons with a local creative person. Fine art appreciation was a family affair for O'Keeffe: her two grandmothers and two of her sisters also enjoyed painting.
O'Keeffe connected to study fine art, likewise equally bookish subjects at Sacred Eye Academy, a strict and exclusive high school in Madison, Wisconsin. While her family unit relocated to Williamsburg, Virginia in 1902, O'Keeffe lived with her aunt in Wisconsin and attended Madison Loftier School. She joined her family in 1903 when she was 15 and already a budding artist driven past an independent spirit.
In Williamsburg, O'Keeffe attended Chatham Episcopal Establish, a boarding school, where she was well-liked and stood out as an private, who dressed and acted differently than other students. She as well became known every bit a talented artist and was the art editor of the school yearbook.
Grooming as an Artist
Subsequently graduating from high school, O'Keeffe went to Chicago where she attended the Art Institute of Chicago, studying with John Vanderpoel from 1905 to 1906. She ranked at the acme of her competitive class, but contracted typhoid fever and had to accept a year off to recuperate.
Later she regained her health, O'Keeffe traveled to New York City in 1907 to continue her fine art studies. She took classes at the Fine art Students League where she learned realist painting techniques from William Merritt Hunt, F. Luis Mora and Kenyon Cox. Ane of her still lives, Expressionless Rabbit with Copper Pot (1908), earned her the prize of attention the League'south summertime school in Lake George, New York.
While she continued to develop equally an creative person in the classroom, O'Keeffe expanded her ideas about fine art past visiting galleries, in item, 291, founded by photographers Alfred Stieglitz and Edward Steichen. Located at 291 5th Avenue, Steichen'due south old studio, 291 was a pioneering gallery that elevated the art of photography and introduced the advanced work of modern European and American artists.
After a year of written report in New York Urban center, O'Keeffe returned to Virginia where her family had fallen on hard times: her female parent was bedridden with tuberculosis and her father's business had gone broke. Unable to afford to continue her art studies, O'Keeffe returned to Chicago in 1908 to work equally a commercial artist. Later on 2 years, she returned to Virginia, eventually moving with her family to Charlottesville.
In 1912, she took an art form at the summertime school of the University of Virginia, where she studied with Alon Bement. A faculty member of Teachers College at Columbia University, Bement introduced O'Keeffe to the revolutionary ideas of his Columbia colleague, Arthur Wesley Dow, whose approach to limerick and design was influenced past the principles of Japanese art. O'Keeffe began experimenting with her fine art, breaking from realism and developing her own visual expression through more abstract compositions.
As she experimented with her fine art, O'Keeffe taught art at public schools in Amarillo, Texas, from 1912 to 1914. She was also Bement's teaching banana during the summers and took a class from Dow at Teacher'southward College. In 1915, while teaching at Columbia Higher in Columbia, Southward Carolina, O'Keeffe began a series of abstract charcoal drawings and was i of the first American artists to do pure abstraction," according to the Georgia O'Keeffe Museum.
Georgia O'Keeffe
Photo: Tony Vaccaro/Getty Images
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Love Thing with Stieglitz
O'Keeffe mailed a few of her drawings to Anita Pollitzer, a friend and former classmate, who showed the work to Stieglitz, the influential art dealer. Taken by O'Keeffe's work, he and O'Keeffe began a correspondence and, unbeknownst to her, he exhibited x of her drawings at 291 in 1916. She confronted him nigh the exhibit but allowed him to proceed to prove the piece of work. In 1917, he presented her start solo bear witness. A year later, she moved to New York, and Stieglitz found a identify for her to live and work. He also provided financial support for her to focus on her art. Realizing their deep connection, the artists roughshod in love and began an matter. Stieglitz and his wife divorced, and he and O'Keeffe married in 1924. They lived in New York City and spent their summers in Lake George, New York, where Stieglitz's family had a home.
Famous Artwork
As an artist, Stieglitz, who was 23 years older than O'Keeffe, institute in her a muse, taking over 300 photographs of her, including both portraits and nudes. As an art dealer, he championed her work and promoted her career. She joined Stieglitz's circle of artist friends including Steichen, Charles Demuth, Marsden Hartley, Arthur Pigeon, John Marin and Paul Strand. Inspired by the vibrancy of the mod fine art movement, she began to experiment with perspective, painting larger-scale shut-ups of flowers, the starting time of which was Petunia No. 2, which was exhibited in 1925, followed by works such as B lack Iris (1926) and Oriental Poppies (1928). "If I could pigment the bloom exactly as I see it no one would see what I come across because I would pigment information technology small-scale like the flower is small," O'Keeffe explained. "So I said to myself - I'll paint what I see - what the blossom is to me but I'll paint it big and they will exist surprised into taking time to look at it - I volition brand even decorated New Yorkers take fourth dimension to see what I see of flowers."
O'Keeffe also turned her artist's middle to New York Urban center skyscrapers, the symbol of modernity, in paintings including City Night (1926),Shelton Hotel, New York No. ane (1926) and Radiator Bldg—Dark, New York (1927). Following numerous solo exhibitions, O'Keeffe had her starting time retrospective, P aintings past Georgia O'Keeffe, which opened at the Brooklyn Museum in 1927. Past this time, she had become ane of the most of import and successful American artists, which was a major achievement for a female creative person in the male-dominated fine art earth. Her pioneering success would make her a feminist icon for later on generations.
Inspired by New Mexico
In the summer of 1929, O'Keeffe found a new direction for her art when she made her first visit to northern New Mexico. The landscape, compages and local Navajo culture inspired her, and she would return to New Mexico, which she chosen "the faraway," in the summers to paint. During this period, she produced iconic paintings includingBlack Cross, New United mexican states (1929),Cow's Skull: Red, White and Blue (1931) and Ram'due south Caput, White Hollycock, Hills (1935), among other works.
In the 1940s, O'Keeffe'due south piece of work was historic in retrospectives at the Art Establish of Chicago (1943) and at the Museum of Modernistic Fine art (1946), which was the museum'due south outset retrospective of a female creative person's work.
O'Keeffe split her time between New York, living with Stieglitz, and painting in New Mexico. She was particularly inspired by Ghost Ranch, north of Abiquiú, and she decided to move into a firm there in 1940. V years later, O'Keeffe bought a second house in Abiquiú.
Back in New York, Stieglitz had begun to mentor Dorothy Norman, a young photographer who later helped manage his gallery, An American Place. The close relationship betwixt Stieglitz and Norman eventually developed into an affair. In his subsequently years, Stieglitz's health deteriorated and he suffered a fatal stroke on July 13, 1946, at the historic period of 82. O'Keeffe was with him when he died and was the executor of his manor.
Iii years after Stieglitz's decease, O'Keeffe moved to New Mexico in 1949, the same year she was elected to the National Institute of Arts and Letters. In the 1950s and 1960s, O'Keeffe spent much of her time traveling the earth, finding new inspirations from the places she visited. Among her new work was a series depicting aerial views of clouds equally is seen in Heaven in a higher place Clouds, Iv (1965). In 1970, a retrospective of her work at the Whitney Museum of American Art in New York City renewed her popularity, especially among members of the feminist art movement.
Decease and Legacy
In her later years, O'Keeffe suffered from macular degeneration and began to lose her eyesight. As a result of her failing vision, she painted her last unassisted oil painting in 1972, however, her urge to create didn't falter. With the assistance of assistants, she continued to make art and she wrote the bestselling book Georgia O'Keeffe (1976). "I can see what I want to paint," she said at the age of xc. "The matter that makes you want to create is still at that place."
In 1977, President Gerald Ford presented O'Keeffe with the Medal of Freedom and, in 1985, she received the National Medal of Arts.
O'Keeffe died on March half-dozen, 1986, in Santa Iron, New Mexico, and her ashes were scattered at Cerro Pedernal, which is depicted in several of her paintings. The pioneering artist produced thousands of works over the course of her career, many of which are on exhibit at museums around the world. The Georgia O'Keeffe Museum in Santa Fe, New Mexico is dedicated to preserving the life, fine art and legacy of the creative person, and offers tours of her home and studio, which is a national historic landmark.
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Source: https://www.biography.com/artist/georgia-okeeffe